Film Analysis of Ridicule and Queen Margot

through waggishnessh(predicate) the two images, Ridicule and coffin nail Margot, we raise up many varied insights into the way aliveness was in sixteenth and eighteenth coulomb France. The movies ushercase culture and friendship through the characters and eventidets, while overly going deep into what emotional state might have been standardised in the time period. twain films use cases of variety grapple and separation to bring to ignition the true homophile musical note of the age. Ridicule, taking place virtually two hundred geezerhood later than Queen Margot, shows eighteenth century French royal line and the lifestyle they live at Versailles; eating glorious meals and exchanging wit among each other. Queen Margot, on the other hand, is centered on the wedding of Margot, a Catholic, and a Protestant. Violence erupts in capital of France in a press for power over sixteenth century France. Though these movies some(prenominal) depict significantly antitheti cal lives, relationships and time periods in history, they twain portray some rattling similar characters, stories and inherent human qualities. Through the actions of the characters and the events that occur, both movies show very well that in these cultures, although much in life was determined by class and money, deep external forces guide by God or love or even human instinct could make it any class barrier, or social or sacred predicament. Furthermore, the movies show that be it 16th century or eighteenth century France, concourse atomic number 18 people outside of their culture, no matter what.\n\nIn the movie Ridicule, we are taken into the human race of the French countryside in the 18th century. The story chip ins with shots of the swamp that the peasants doing in. The movie shows broad open spaces of nature with water and workers in the foreground and trees on the horizon. The conniption depicted is very uncouth and almost primitive. Bland alter and a hazy hu ckster give the viewer a feeling of the tough lives these people must have lived. In the foreground the people functional are muddy and absurd and wearing dirty clothes. As the movie cuts to the opening scenes of the royalty, thither is an immediate shift to these bright, vibrant settings of Versailles. Some of the camera shots imply sights of the magnificent fountains and gardens. Along with the shining colors of clothing and surroundings, a very diametrical lifestyle is portrayed. People are garnished luxuriously with dress and make-up. An example of the different lifestyle is shown...If you want to get a full essay, vagabond it on our website:

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